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Design is a drug.

We thought this was quite good:

You’re riding a high, you just put together a design that you couldn’t be more proud of. You’ve fulfilled all of the client’s goals—goals they didn’t even know they had (bonus!) and are also feeling confident of the integrity of the piece at hand. You’ve labored over the kerning, the alignment, the proportion, the balance, the slight variations of colors… you’re on top of the world and no one can stop you. At least in your head—and that’s all that matters.

Flash forward a month later. You’re struggling to come up with new ideas, fresh thinking, sound logic. You see awesome work being posted on Dribbble and FFFFound. Everywhere you look, you’re wishing you had made this, that, and the other thing. You’re wondering if you’re even cut out for the world that is design. Hell—why the world can’t see aesthetics, logic, and experience the way you do. You wonder if it is all pointless. Your parents wanted you to be an engineer and you let them down for that fancy-pants art school. You envy the mundane: the mindlessness of it all. Screw it—you’ll be happier flipping burgers. Maybe you’ll come up with a fancy way to swirl the ketchup and mustard into the restaurant’s logo.

Repeat.

Welcome to the life of a creative.

Post from Astheria on design life.

A lamp for the discerning studio.

Like? – Visit Daily Icon

A music video controlled by the weather!

Genius.

The latest interactive project from Sony Music’s Phil Clandillon and Steve Milbourne is an interactive music video that reacts live to the weather

Clandillon and Milbourne are the innovative duo responsible for AC/DC’s ASCII art Excel music video as well as Editors’ hack of Google Street View (which we coveredhere) and the Kasabian/Umbro live Guitar Hero video.

Their latest project is for young singer/songwriter Lissie’s single Cuckoo. It’s an interactive music video which runs on her site and is ‘controlled’ by live weather data. The singer and her band were shot against five different types of weather.

Continue Reading at Creative Review.

Journalism Warning Stickers

Via Swiss Miss

Scheweppes Campagin

Melbourne-based George Patterson Y&R’s campaign for Schweppes, places the well-known cocktail mixer at the center of the recent resurgence of mixing among young adults. A mathematical equation that doesn’t add up, coupled with the tag line “the magic is in the mix,” effectively suggests that no matter what Schweppes is mixed with, something unexpected and memorable will be the result. The series of ads cement Schweppes’s role as the world’s original and leading mixing brand.

More over at Commarts

September Industry

An excellent graphic resource.

Daniel Freytag.

September Industry has some nice examples of his work and more over at his site.

Short Story Design.

Klas Ernflo designed this Short Story Poster for a story written by Jess Row.

Found at Today & Tomorrow.

What’s new: RISD XYZ Magazine

When RISD President John Maeda, Liisa Silander and the Media + Partners department decided to reinvent their alumni magazine, they decided to do it from the ground up. Renaming it RISD XYZ and shifting from a more traditional focus on the school to instead celebrate the accomplishments of its graduates, they knew they had to do something about the design too. While previous versions typically tasked three alumni with a section each, the resulting layout felt disjointed and made it tough to read.
Handpicking a few alums to pitch, they chose RISD alum Criswell Lappin to realize the new vision of the concept. Lappin—who in addition to running his own design consultancy Wellnow, has art directed the award-winning magazine Metropolis for the past decade—recently answered a few of our questions on how he and his crack team of fellow alums pulled off the fresh new design in just 10 weeks. Read on to learn more about some of his favorite designers, the project’s reality TV potential, and the beers it took to unwind when he was done.

Stamps of Disapproval.

The must for every Creative Director.

Logo Mashups.

Johnson & Banks starts mashing up logos

Attn: Huge Photoshop nerds.

You know the video editing guys love this kind of thing…

Keyboard Short Cut Keys – Now available for Photoshop fans.

Meet your type

Educational PDF on typography by Font Shop.

Download PDF

The Adult – Childrens Book. ‘All my friends are dead’

Read – Purchase online

‘Stay’ Lock down windows.

Seems promising especilly if you are always connecting to different displays.

“If you’re fastidious about keeping your windows tidy, Stay is for you. Stay ensures that your windows are always where you want them to be, even as you connect and disconnect displays.”

Read more about Stay

Cheat Sheet Post 2. The dinner table…

If you need some reminding about where the dessert spoon goes, here’s the perfect placemat for your table. Or, perhaps just get a few purely because you’ll enjoy the graphics. No one nowadays really cares all that much about correct placement of cutlery, do they?

60×65 cm (25” x 23”)
it’s the perfect size for a proper table setting as well! Cotton, machine washable.

Check it out here (Via Swiss-miss.com)

Speed it up with Google Cheat Sheet.

The official Google Cheat Sheet

Time Envy?

Read post over at ISO50

These clock concepts by Saikat Biswas fall right in place with the concepts of the Holga D—just awesome. The clock no has hands or even markings to show the time, instead it uses a bar that grows progressively larger as time passes. We’ve all seen a similar design in the past when waiting impatiently for a flash site to load. To me this is a very interesting way to show time and I probably wouldn’t be hesitant to mount this on my wall.
The size of this clock is about 12 inches in diameter with a depth of about .6 of an inch. It also runs on 2 AAA batteries and as something more to note, the “loader” looking bar is actually a thin disc inside the clock and not a digital screen.

These clock concepts by Saikat Biswas fall right in place with the concepts of the Holga D—just awesome. The clock no has hands or even markings to show the time, instead it uses a bar that grows progressively larger as time passes. We’ve all seen a similar design in the past when waiting impatiently for a flash site to load. To me this is a very interesting way to show time and I probably wouldn’t be hesitant to mount this on my wall.
The size of this clock is about 12 inches in diameter with a depth of about .6 of an inch. It also runs on 2 AAA batteries and as something more to note, the “loader” looking bar is actually a thin disc inside the clock and not a digital screen.

ISO50

Magazine. Eight:48

Eight:48 is a new magazine for the creative community. In a tabloid newspaper format, each issue focuses on a different topic of debate relevant to the current creative scene. Ten leading designers, illustrators and product designers are asked in each issue their opinion on a given topic and have the opportunity to showcase their work and talk about their influences. The theme in Issue 01 was the future of print.

The magazine was forwarded by Steven Heller and contained original articles from Dan Rolfe Johnson and James Pallister from The Architects Journal and Grafik Magazine respectively.

More here

TheGreenEyl

The GreenEyl – it’s nice that.

TheGreenEyl is a multidisciplinary design practice investigating the aesthetic potential of technology. Its five partners Willy Sengewald, Dominik Schumacher, Frédéric Eyl, Richard The and Gunnar Green divide their time between self-initiated projects and commissions, as well as consultancy and teaching. Their work has been nominated for Designs of the Year 2009 by Design Museum London, awarded an Honorary Mention from Ars Electronica in 2008, 2009, and 2010, and has been published screened and exhibited internationally. TheGreenEyl is currently distributed in Berlin, London, and New York.

Eye Candy

NYC’s latest food truck serves up a dose of zany pop art

MarcoArt MobileNYC’s latest food truck serves up a dose of zany pop art

Via Cool Hunting.

Anti Design Festival by Neville Brody.

As a response to 25 years of cultural deep freeze in the UK, the Anti Design Festival will attempt to unlock creative fires and ideas, exploring spaces hitherto deemed out-of-bounds by a purely commercial criteria.
Created initially as a direct response to the pretty commerciality of the London Design Festival, the festival will shift the focus from bums-on-seats to brain food, and from taste and style to experiment and risk. The festival will provide a rare space for unhindered exploration and creative opportunity, where ideas may fail as equally as succeed.
At multiple venues around Redchurch Street in London’s Shoreditch area, the festival will incorporate exhibitions, installations, workshops, performances and talks in Art, Design, Product, Film, Sound, Fashion, Performance, Print and Interactive.
Directed by Neville Brody, the world-renowned graphic designer, the festival will be curated by a select group of leading practitioners in various fields. These curators include Daniel Charny, Terry Jones, James Payne, Harry Malt, Stuart Semple and Brody himself. To date, contributors include Stefan Sagmeister, Jonathan Barnbrook, Yugo Nakamura, Yomi Ayeni, and Mark Moore, as well as an open-submission route.
The main venue is the Londonewcastle Project Space at 28 Redchurch Street, and features a RadLab open workshop which will host four full-day creative explorations led by furniture and product designers and hosted by Daniel Charny. Other workshop installations will include the premier of a new trans-media film event by Yomi Ayeni, specially commissioned by the ADF, and an anti-fashion exploration produced by Let Them Eat Cake magazine. The Royal College of Art will host a one-day intervention, as will the London College of Communication.

As a response to 25 years of cultural deep freeze in the UK, the Anti Design Festival will attempt to unlock creative fires and ideas, exploring spaces hitherto deemed out-of-bounds by a purely commercial criteria.Created initially as a direct response to the pretty commerciality of the London Design Festival, the festival will shift the focus from bums-on-seats to brain food, and from taste and style to experiment and risk. The festival will provide a rare space for unhindered exploration and creative opportunity, where ideas may fail as equally as succeed.At multiple venues around Redchurch Street in London’s Shoreditch area, the festival will incorporate exhibitions, installations, workshops, performances and talks in Art, Design, Product, Film, Sound, Fashion, Performance, Print and Interactive.Directed by Neville Brody, the world-renowned graphic designer, the festival will be curated by a select group of leading practitioners in various fields. These curators include Daniel Charny, Terry Jones, James Payne, Harry Malt, Stuart Semple and Brody himself. To date, contributors include Stefan Sagmeister, Jonathan Barnbrook, Yugo Nakamura, Yomi Ayeni, and Mark Moore, as well as an open-submission route.The main venue is the Londonewcastle Project Space at 28 Redchurch Street, and features a RadLab open workshop which will host four full-day creative explorations led by furniture and product designers and hosted by Daniel Charny. Other workshop installations will include the premier of a new trans-media film event by Yomi Ayeni, specially commissioned by the ADF, and an anti-fashion exploration produced by Let Them Eat Cake magazine. The Royal College of Art will host a one-day intervention, as will the London College of Communication.

Joey Roth Limited Edition Poster.

joeyroth.com/poster/

Don Drapers office.

The Mid Century Modernist looks inside the mad mens office.

Urbanized a film soon to be, by Gary Hustwit.

Five years ago I began work on my first documentary, Helvetica, which looked at the worlds of typography and graphic design, and their impact on our visual environment. After Helvetica was released in 2007, I had the idea for a second film, Objectified, which focused on industrial design and product design, and our relationship with the manufactured objects that surround us. While working on Objectified, I realized I wanted to make a third film that would also examine how design affects our lives, and began thinking of the films as a “design trilogy” of sorts.
The third documentary in this trilogy is about the design of cities. Urbanized looks at the issues and strategies behind urban design, featuring some of the world’s foremost architects, planners, policymakers, builders, and thinkers. Over half the world’s population now lives in an urban area, and 75% will call a city home by 2050. But while some cities are experiencing explosive growth, others are shrinking. The challenges of balancing housing, mobility, public space, civic engagement, economic development, and environmental policy are fast becoming universal concerns. Yet much of the dialogue on these issues is disconnected from the public domain.
Who is allowed to shape our cities, and how do they do it? Unlike many other fields of design, cities aren’t created by any one specialist or expert. There are many contributors to urban change, including ordinary citizens who can have a great impact improving the cities in which they live. By exploring a diverse range of urban design projects around the world, Urbanized will frame a global discussion on the future of cities.
Urbanized is currently in production and will premiere in 2011. We’ll be releasing more details about the cities, projects, and people featured in the film in the next few months, along with a proper site. Once again I’ve teamed up with cinematographer Luke Geissbuhler, and I hope you’ll follow along as we complete the film and finish this third exploration into the role of design in our lives.

Letterboard App.

Create analog signs with your iPad or iPhone. Available from the iTunes app store.

Idsgn: Asks how do you manage your fonts.

Personally, I don’t use a third-party font management application at all. I just move fonts in and out of the Fonts folder manually. It sounds tedious, but I use so few fonts that I find the trouble negligible enough to not worry about—especially in comparison to the headaches and overhead of a font management program. - Khoi Vinh

Project detail.

“Selection of work + Interview (Build designed cover), the issue came enclosed in a screen printed bag, with a selection of Build designed objects (A1 poster/Sticker set/Mouse-mat/Postcard set). The A1 poster (bottom) ‘Anatomy of a Build holding-page’ is one of Build’s many holding pages translated into printed form.”

Nice project overview at SeptemberIndustry. See all the shots here.

Hello. Samantha-Harvey

View the work of Samantha-Harvey you know you want to.

‘A Proposal To Go Where No NASA Logo Has Gone Before’

The first thing we see in NASA’s previous logos is that perennial truth that what looks futuristic today looks passe tomorrow. And of course tomorrow comes faster today than it did yesterday. We also wanted to avoid anything that would be too techy—NASA isn’t about technology; it’s about using technology as a vehicle for doing and going and discovering. So we went with a fairly neutral typeface that won’t look immediately dated. But we also wanted to de-emphasize the name in the logo to create more of a symbol that would be universally understood. So we eclipse the name with a giant sphere, which could be Earth or any other planet. In this way, we don’t get rid of the “meatball”; it’s still there, you just don’t see it.

Full article and break down here.

Type Archive

TypArchive is an image library primarily focused on hand painted signage.
The objective is to amass a comprehensive global collection of a high-quality images and produce hard-copy volumes.
Amidst a landscape of vapid strip malls and sterile signage, hand-painted lettering retains a soulful aesthetic to be treasured. Like other crafts dissolving in the digital age, sign painting is a fading occupation. Today it’s easy for any layman with minimal computer knowledge to produce a sign within minutes, but the skill acquired to artfully produce hand lettering took years of apprenticeships, dedication and true talent.

Someone give ‘Transformer Studio’ a high five.

The sites a little painful but the work is tidy.

Studio Transformer

Interview with Kako

Born and raised in São Paulo, Brazil, Kako’s illustrations have been commissioned by people from all over the world; as a result, his work has been recognized by Communication Arts, Society of Illustrators, Archive, SPD, Cannes Ad Festival, HQMix, El Ojo de IberoAmerica, D&DA.

What’s one thing you wish you knew when you started your career? That I could have declined some jobs. On the other hand, if I had, I wouldn’t know now how to avoid bad clients.

Read more over at Communication Arts.

Our love obsession with studio culture continues.

A great interview with Adrian Shaugh­nessy by Pro-Design.

A look at the Zappos.com redesign.

Happy cog talks about the process of the zappos redesign.

“We are pretty keen on viewing design as a verb, not a noun here. We never finish designs, we never “redesign,” we evolve. Business needs are always changing, economies change, customer needs change—hence how we tackle these issues need to evolve.”

Read the rest at Happy Cog

Chair 1978

Purchase an 1978 edition of Chair Magazine or have a quick perv here.

Featured Site, Design is history.

designishistory.com

As a designer it is important to understand where design came from, how it developed, and who shaped its evolution. The more exposure you have to past, current and future design trends, styles and designers, the larger your problem-solving toolkit. The larger your toolkit, the more effective of a designer you can be.

Part of the graduate thesis of designer Dominic Flask, this site was created as a teaching tool for young designers just beginning to explore graphic design and as a reference tool for all designers. It is supposed to provide brief overviews of a wide range of topics rather than an in-depth study of only a few. It is a constantly evolving, changing, expanding reference library.

Core77 Jonathan Ive Interview

As a designer you can’t help but think about weird stuff. I can’t help but imagine that if curious space aliens with no knowledge of human artifacts came to this planet and went through my apartment, they’d initially find little to distinguish one possession from another. But I’d be willing to wager that it is the iPhone 4, amidst the clutter of objects on my desk, that they would pick up and begin inquisitively licking or running their antennae over or what have you.

Continue reading at Core 77

iPad fans…

The world’s first HTML5 embeddable album, Francis and the Lights’ It’ll Be Better site simplifies the music listening process for Apple’s new less Flash-friendly digital world. Developed by Muxtape founder Justin Ouellette, he created it specifically to play on the iPad and new iPhone 4, which otherwise can’t stream most music because of the operating system’s lack of Flash support. And, with this new site and the introduction of iOS 4, listeners can enjoy the album while simultaneously using other applications.

More at CoolHunting

Not Jones Studio

Nice work by notjones.com

N12 Limited edition print

This limited edition version of 12IN12 by Craig Oldham is printed on yellow newsprint, and will be available exclusively for £1 at D&AD New Blood from June 24 – July 02. All proceeds will go to the D&AD Education charity. A great booklet for a great cause.

Via Aisleone

Felt iPad Case.

Purchase from Etsy

Inside Erik Spiekermann’s House

Photos at Dwell, take a tour.

More Soon.

We’ve already said to much. More Soon has a great site.

Seesaw get excited about new studio chairs.

Herman Millers Embody chairs to be exact. Read their post

Sydney Show: Karl Maier & Craig Redman


Pick Me Up – an exhibition by Karl Maier and Craig Redman, runs until July 16 at Monster Children gallery, 20 Burton Street, Darlinghurst, New South Wales, Australia. Review over at CR

iPhone Home Screens


Not sure what the popular apps are? Curious who is using what?
firstand20.com Gives the answers.

Stefan Sagmeister Chair design.

Design legend Stefan Sagmeister has ventured into furniture design but sticking true to his graphic design roots. The Darwin Chair, shown as part of Dutch design company Droog’s show at Design Miami features more than 200 patterned sheets to suit any environment and desired look.

iPad Wallpaper 1024 Square

A collection of iPad wallpapers. 1024sq.com

Grids on the go.

“We designed these grid based home screen backgrounds for iPhone 3GS, iPhone4 and iPad* to coincide with the IOS4 software upgrade which allows you to select an image as a home screen background. These grid inspired layouts act as an organised wireframe structure to keep your applications in neat and tidy order on your iPhone or iPad*. With numbered grid rows and a ‘D’ for Dock you simply press hold and drag and drop your icons into the specific grid spots. Please note only works on devices running IOS4.”

Need more detail? effektivedesign.co.uk